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Vote for the best piece of work in our Creative Round-Up: Winners to be featured in 24 May issue of The Drum

The Drum brings you a round-up of some of the latest interesting creative work.

Every fortnight The Drum publishes a selection of new creative work. Now you can vote for the work you like best with the winners to feature in the next issue of The Drum (24 May).

Submit your vote before Wednesday 15 May to guarantee your favourite makes it into the printed magazine.

To submit work for future publication contact

AlmapBBDO: Getty Images - Muhammed Ali print ad

Brand: Getty Images

Title(s): Muhammad Ali

Headline and copy text (in English): We gave 7,267 photos of Muhammad Ali. Please, stop using this one. Getty Images.

Agency: AlmapBBDO, São Paulo, Brazil

Agency website:

Grey London: Vodafone Ireland 'The Wait' TV campaign

Brand: Vodafone Ireland

Title(s): The Wait

Agency: Grey London, London, UK

Agency website:

Executive Creative Director: Nils Leonard

Creative Director: Simon Brotherson

Copywriter: Mike Kennedy

Art Director: Pauline Ashford

Additional credits: Agency Producer: Rachael Long, Account Management: Ian Maybank & Ryan Deluchi, Head of Planning: Leo Rayman, Media Agency: OMD Ireland, Media Planner: Carolyn Odgers, Martina Stenson & Aoife Joyce, Production Company: Rattling Stick, Director: Sara Dunlop, Producer: Stuart Bentham, Editor: Art Jones @ Work Post, Post-production: Ludo Fealy @ MPC, Soundtrack: Dionne Warwick – Wishin’ and Hopin’, Audio Post-production: Ben Leeves @ Grand Central

Published: April 2013

Established: Svedka Vodka packaging redesign

Brand: Svedka Vodka

Title(s): Packaging Redesign 2013

Agency: Established, New York City, USA

Agency website:

Executive Creative Director: Sam O'Donahue

Creative Director: Pierre Jeand'heur

Art Director: Daniela Sbarbati

Published: April 2013

Short rationale (optional): Established has redesigned Svedka's entire product range. Using a ground breaking approach, Established enabled the use of super saturated colours throughout the range through an innovative shrink wrapping technique. The strong colour perfectly reflects the bold attitude of the Svedka brand, while ensuring that the bottles pop off the shelf. The shrink wrap technique also allows Svedka to easily and efficiently launch special edition flavours throughout the year or to react to changing market trends quickly and at low cost.

Cream Consultancy: UK Water Features 'Water Bucket Walter Fights Back!' viral

Brand: UK Water Features

Title(s): Water Bucket Walter Fights Back!

Headline and copy text (in English): We Say Yes To Gnomes

Agency: Cream Consultancy, Barnsley, UK

Agency website:

Creative Director: Cream Consultancy

Art Director: Sixty Second Video

Copywriter: Cream Consultancy

Additional credits: Production Company: Sixty Second Video (, Social Media Management: Matthew Patterson (UK Water Features)

Published: April 2013

Short rationale (optional): Ikea attacked the little guy in its latest ad. Now he’s fighting back. In this online ad from garden retailer UK Water Features, their mascot Water Bucket Walter stands up for gnomes and their owners everywhere. Walter, the self-proclaimed leader of protest group OMG (Opposing Mindless Gnomism), has issued a stark warning to the Scandinavian flat pack retailer – acknowledge the role Britain’s beloved gnomes have to play in our gardens, or Billy bookcase is sawdust!

The One Off: Oxford University Press brand book design

Brand: Oxford University Press

Title(s): Brand Book

Agency: The One Off

Agency website:

Creative Director: Sam Gough

Copywriter: Supplied by Oxford University Press

Photographer: Supplied by Oxford University Press, finished book images by Sarah Darley

Published: March 2013

Short rationale (optional): Working with OUP on the design and creation of a brand book. Our brief was to produce something that could convey the brand and realign perceptions on an internal global scale. We worked closely with our client to produce a friendly, relaxed and understated book that was equally beautiful and elegant.

Tangent Graphic: The Edinburgh International Book Festival 2012 branding

Mindmap 1080 from Award Submission on Vimeo.

Brand: The Edinburgh International Book Festival

Title(s): The Edinburgh International Book Festival 2012

Agency: Tangent Graphic, Glasgow, Scotland

Agency website:

Creative Director: David Whyte

Additional credits: Andrew Stevenson, Gary Dickson, Dave Morrow, Leo Philp

Published: 2012

Short rationale (optional): The Edinburgh International Book Festival is a meeting of minds, welcoming novelists, scientists, philosophers, biographers, environmentalists, economists, Nobel and Booker prize-winners and many more besides. The programme is developed around the observation that contemporary literature is informed by issues in wider society.To highlight this link the festival identity was based on the simple concept of 'The World, In Words'. A topic board was designed as the centrepiece of the identity; quotes and passages from authors and participants were arranged around current world events and cultural trends, ranging from the global banking crisis to the ubiquity of social media.To structure such a complex arc of topics and contributors, the board was arranged around basic 'human motivations': The Desire for Justice, The Desire for Love, The Desire for Order, The Desire for Pleasure, The Desire for Validation, The Fear of the Unknown, and The Challenge of Morality.Since classical times it was believed that all storytelling was based around these simple drivers, because all human motivation could be traced back to them. The concept was applied to environmental dressing and installations, ambient digital, the festival programme and all related promotional materials.

Cocoon Group: ABSOLUT Moscow Limited Edition bottle design


Title(s): ABSOLUT Moscow Limited Edition

Agency: Cocoon Group, Moscow, Russia

Agency website:

Creative Director: Daria Ksenofontova

Illustrator/Designer: Alena Akhmadullina

BJL: Subaru 'Subarural' ambient ads

Brand: Subaru

Title(s): Subarural

Headline and copy text (in English): For Subarural Life

Agency: BJL, Manchester, UK

Agency website:

Creative Director: Tom Richards

Art Director: Tom Richards, Paul Kinsella

Copywriter: Pete Bastiman, Carla Hawkins

Photographer: Rob Smith

Published: May 2013

Work in Progress: Storyline brand identity

Brand: Storyline

Agency: Work in Progress, Oslo, Norway

Agency website:

Creative Director: Torgeir Hjetland

Art Director: Torgeir Hjetland

Photographer: Filippo Minelli

Additional credits: Detailing of custom made typography for logo in cooperation with Magnus Rakeng

Short rationale (optional): Identity, interior, signage system and art direction for Norway’s largest film studio. The logo’s white square creates a storyboard, a space for creativity, which encourages the user to interact. The name also implies a full-scale film production. People’s notion of film and commercials is an escape, a twist on reality, action and colourful special effects. The photos taken for the identity by Filippo Minelli are frozen moments where the future is yet to be revealed, and it makes the viewer engaged and curious. The signage system is inspired by the film studios of Hollywood.

McCann Erikson - Subway 'My Sub, My Way' TV ad

Brand: Subway

Title(s): Keith

Headline and copy text (in English): My Sub, My Way

Agency: McCann Erickson, London, UK

Agency website:

Creative Director: Robert Doubal/Laurence Thomson

Additional credits: Creatives: Lianne Galazka, James Rooke, Melissa Cain, Imogen Jones, TV Producer: Sonny Botero, Production Company: Blink, Director: Jonathan Herman, Producer: Andrew Studholme, Executive Producer: James Bland, Post-production: Craft London, Grading: MPC, Editing House: Marshall Street Editors, Editor: Tim Thornton-Allan, Audio: Craft London, Sound Designer: Tim Sutton

Published: April 2013

Carter Wong: Ticketybrew bottle design

Brand: Ticketybrew

Title(s): Two Beers, Dubbel and Pale Ale

Agency: Carter Wong design, London, England

Agency website:

Creative Director: Phil Carter

Art Director: Phil Carter

Copywriter: Phil Carter

Illustrator: Chris Bounds

Designer: Chris Bounds

Published: March 2013

Short rationale (optional): Briefed by entrepreneurial brewer, Duncan Barton to create the name and packaging for his start up business, Carter Wong set to work trying to discover a memorable name that would then lend itself to a graphic treatment when it came to designing the label. Beginning initially with just two brews, a Belgian Dubbel and traditional Pale Ale, and in limited numbers it was important that we found a very cost effective way of producing and printing the finished label designs. All parts of the brief fell into place once we’d decided on the brand name being a take on the word ‘Ticketyboo’, meaning everything is going alright and proceeding quickly, something Duncan’s business was certainly starting to do. Therefore the name ‘Ticketybrew’ was agreed and from then on the design solution virtually solved itself. A run of four one colour tickets, enough for all the copy necessary wraps itself around the bottle with the two tickets showing the most important information strategically placed on the one front facing. Printed in black on one colour stock an extra visual detail is the appropriate glass shape for each of the two brews integrated into the ticket perforation. Printed as a gloss varnish this gives the impression of being a perforated shape in the label to reveal the bottle underneath. Suitably quirky, friendly copy completes the whole package. Available in well-stocked bars and pie shops now!

Together Design: Caffè Nero iced drinks packaging and POS

Brand: Caffè Nero

Title(s): Caffè Nero iced drinks packaging and POS

Agency: Together Design, London, UK

Agency website:

Creative Director: Katja Thielen

Art Director: Bryony Akehurst

Designer: Roz Fraser

Photographer: Anders Schønnemann

Published: April 2013

Short rationale (optional): For summer 2013, Caffè Nero has expanded its Iced Drinks range with the wonderful 'Frappé Crème', an indulgent new drink that blends milk and ice with fruit purees and syrups. Together Design has designed a vibrant cup with a painterly motif in different colours to suit the three flavours: Strawberry & Vanilla, Coconut & Chocolate, Banana & Toffee. Together Design has also created in-store POS, posters and t-shirts focused on the whole iced drinks range which also includes Fruit Boosters and Frappé Lattes. The overall feel is unmistakebly summery, with emphasis on the array of ingredients, and clear labelling of the different drink names. Creative Director Katja Thielen says: 'The whole campaign is very light and fresh, complementing the new cream-topped Frappé Crème range.'

Silk Pearce: Norfolk & Norwich Open Studios website redesign and restructure

Brand: Norfolk & Norwich Open Studios

Title(s): Website redesign and restructure

Agency: Silk Pearce, Colchester, England

Agency website:

Creative Director: Andrew Sharman

Photographer: Home page photography: Jemma Mickleburgh, Artist directory page photography: Sarah Cannell

Short rationale (optional): Silk Pearce has redesigned the Open Studios website with larger imagery, improved navigation and displaying more images per page to showcase the breadth of creative work on offer via this arts scheme. The site has also been restructured ‘behind the scenes’ to enable the 450 or so artists signing up to set up online accounts and to directly upload their details. Previously information had to be supplied on paper, then re-keyed, proofed and approved before being used in literature and other promotional materials.

Fallon: PETA 'Do it like they do' video

Brand: PETA

Title(s): Do it like they do

Agency: Fallon, London, UK

Agency website:

Executive Creative Director: Santiago Lucero

Additional credits: Creatives: Rick Gayton & Darren Beresford, Producer: Lisa Mason, Director: Nico Kassakof, Production Company: Nunchaku Cine, Post-production: Electric Theatre Collective, 2D Operator: Giles Cheetham, Fasa Oyibo, Paul Wilmot, Andrew Stewart, Post-producer: Lee Pavey, Music: Simon Elms @ Eclectic Sound

Published: April 2013

Short rationale (optional): Highlighting the fact that vegans have bigger sexual appetites.

MNDB Advertising: Rangemaster “Built From Experience” press & digital campaign

Brand: Rangemaster

Title(s): “Built From Experience” press & digital campaign

Headline and copy text (in English): Lose yourself in a recipe book, not the user manual - In a busy kitchen, you don’t need to be reaching for the user manual. That’s why in an increasingly complicated world it’s nice to know that turning up the heat is nothing more than a clockwise turn of the oven dial. There are no digital readouts, no fiddly buttons and certainly no gizmos. At Rangemaster, we believe our recipe for success is all down to remembering it’s the simple things in life that tend to work best. Call 0844 346 0480 or visit us at

Your shirt needs buttons. Not your cooker - Whether you’re cooking beans on toast or lamb shanks, you want to focus on the cooking not the cooker. That’s why we don’t cram our ranges full of superfluous buttons, dials and gizmos. At Rangemaster, we know from experience that the easier a range is to use, the better the food and the happier the cook. Call 0870 789 6110 or visit

An even cooking temperature is no half-baked idea - A fan oven can only distribute heat evenly if the heat has somewhere to go. That’s why we design all our range ovens with flues that allow the heat to vent. This ensures an even and constant flow of heat over your food. At Rangemaster, we think, if there’s one thing worse than a half-baked idea, it’s a half-baked pie.

Call 0844 346 0480 or visit us at

If it was a boxer it would be a super-heavyweight - Talk of weight can be something of a social taboo. However we at Rangemaster are rather proud of our weight. On average we are somewhat heavier than some of our, shall we say, lightweight competitors. That’s because our ranges are built from the ground up, from a single sheet of high-grade steel, formed to give maximum rigidity and robustness. A Rangemaster may well fail at the weigh-in. But rest assured, there are no plans for dieting just yet.

Call 0844 346 0480 or visit

Agency: MNDB Advertising, London, UK

Agency website:

Creative Director: Adam Staples & Paul Miles

Art Director: Adam Staples & Paul Miles

Copywriter: Adam Staples & Paul Miles

Photographer: Eugenio Franchi

Additional credits: Account Lead: James Davis

Published: April 2013

Short rationale (optional): To demonstrate the strengths of the Aga Rangemaster brand - simplicity, build quality and cooking ability; while at the same time breaking away from the tired "category" approach of most cooker advertising.

Solo: Gargalo 'Viña Verino' packaging design

Brand: Gargalo

Title(s): Viña Verino

Agency: Solo, Barcelona, Spain

Agency website:

Creative Director: Óscar Germade

Photographer: José Hevia

Published: 2013

Short rationale (optional): Label and case design for the most prestigious wine of Gargalo cellar. Based on the name —a reference to the winery owner, fashion designer Roberto Verino— we created a die cut label, metaphor to the seam, to handmade clothes, to homemade wine.

23red: Bluewater logo design

Brand: Bluewater

Title(s): Bluewater Unveils Dynamic New Logo Created by 23red

Agency: 23red, London, UK

Agency website:

Creative Director: Sean Kinmont

Brand Illustrator: Chris Mitchell

Bespoke Lettering Designer: Chris Weir

Published: May 2013

Short rationale (optional): Bluewater’s brief to 23red was to create a logo that embodied the dynamic, inspirational and memorable nature of this leading UK brand.

To meet this brief 23red worked together with the specialist craft duo – brand illustrator, Chris Mitchell, and bespoke lettering designer Chris Weir – to create the new logo. Chris Mitchell is recognised internationally for his skills in the development and execution of some of the worlds’ most familiar illustrative brands, including Tiger Beer, BAFTA and Absolut. In the newly enhanced logo, the Bluewater horse – a symbol of Kent – remains at the heart of the brand’s reinvigorated creative identity. It rears proudly above the hand-drawn lettering, representing the strength and passion of the brand. 23red has rendered the refined horse illustration in both solid and silhouette versions so that its form can reflect the ever changing and vibrant nature of Bluewater.

RAPP: My Player Twin website for Barclays

Brand: Barclays

Title(s): Player Twin

Agency: RAPP, London, UK

Agency website:

Creative Director: Rik Haslam

Art Director: Phillipe Wilson

Copywriter: Alex McGhee

Additional credits: Planner: Rick Mills, Designers: Adrian Whatman, Ralph Peskett, Developer: Unit 9, Account Management: Louise Morgan, Jessica Aspinall, Loes Wijsman, Project Manager: Henry Chuks

Published: April 2013

Short rationale (optional): My Player Twin, a new application that uses the latest facial recognition technology, has been launched to help football fans find their Barclays Premier League footballer twin. Created by Barclays direct marketing agency RAPP, My Player Twin is a free and easy to use website that allows football fans to find their nearest match by uploading an image of their face, taking a picture on their webcam or connecting via their Facebook page. The website uses the same facial recognition technology that is used by airport scanners to then match your face to one of the 500+ Premiership football players. The website has a scanning process that detects symmetry, features and expression for a credible and often humorous match. An inbuilt accuracy rating enables users to distinguish the top scorers from the benchwarmers alongside an online gallery showcasing the most accurate top twins on the site. Once your twin is revealed, users are encouraged to share their unique lookalike through Facebook and Twitter, giving them bragging rights at the local pub or even helping to bag a contract at a non-league club.

BBH London: Zagorka 'A Taste Less Ordinary' TV and press campaign

Brand: Zagorka

Title(s): A Taste Less Ordinary

Agency: BBH, London, UK

Agency website:

Creative Director: Pablo Marques

Additional credits: Creative Team: Daniel Schaefer & Szymon Rose, BBH Producer: James Laughton, Production Company: Argentina Cine, Director: Augusto Zapiola, Executive Producer: Cecilia Salguero/Rob Godbold, Producer: Mariano Scarpatti, DoP: Leandro Filloy, Post Production: Framestore, Editor/Editing House: Leandro Aste, SAE & Phil Currie @ Stitch, Sound: Aaron @ Wave.

Published: April 2013

Springetts: Cuprinol brand redesign

Brand: Cuprinol

Headline and copy text (in English): Cuprinol Redesign

Agency: Springetts Brand Design Consultants, London, UK

Agency website:

Creative Director: Moyra Casey

Art Director: John Sherwood

Published: April 2013

Short rationale (optional): Following an extensive respositioning and redesign exercise by Springetts Brand Design Consultants, the new livery for Cuprinol water-based fence treatments and Cuprinol Garden Shades is rolling out in-store this month. Based on the brand idea of “Brighter Outsides”, the new look features an ‘open window’ brand device intended to capture the transformational effects of the product and the emotional reward of cheering things up in the garden. In a very functional category, the new livery seeks to highlight the aesthetic, as well as practical, benefits of the product and to provide some much needed inspiration at point of sale.

Chocolate Naive: Chocolate Naive branding

Brand: Chocolate Naive

Agency: Created & Produced by Chocolate Naive

Creative Directors: Arunas Matacius & Domantas Uzpalis

Art Director & Designer: Karolis Kosas

Copywriter: Domantas Uzpalis

Photographer: Alma Galinskaite (Almu)

Proud Creative: High Impact identity

Brand: High Impact, Inc

Headline and copy text (in English): Proud Creative identity for High Impact, Inc.

Agency: Proud Creative, London, UK

Agency website:

Creative Director: Dan Witchell

Published: May 2013

Short rationale (optional): High Impact is a US based visual media company, creating 3D illustrations and moving image. Tilted one way the logomark is an H. Tilt the other and it's a cap I. Its container is both a hexagon and also potentially a cube, as a nod to the world of 3D that High Impact inhabit. We introduced an isometric hexagonal grid with hexagonal dots and a colour wash, unifying the diverse content and allowing the brand to be dialled up and down. Hero images can be used full colour and just badged with the logo. However, in a more branded iteration the grid and colour wash are applied. Overall we created a clean, modern feeling identity that is sector neutral therefore sitting comfortably within diverse content and contexts. The font is Galaxie Polaris from Chester at Village Type in Brooklyn.

Bryt: Corkers Crisps packaging design

Brand: Corkers Crisps

Title(s): Corkers Natural British Crunch

Agency: Bryt, Cambridge and London, UK

Agency website:

Creative Director: Mike Nash

Art Director: Mike Nash

Copywriter: Mike Nash

Illustrator: Mike Nash

Photographer: Richard Jackson

Additional credits: Strategist: Eddie Stableford

Short rationale (optional): To create a strong, new entrant to the kettle crisps product category around a British theme.

BR/BAUEN: Rafaela Abrahão brand identity

Brand: Rafaela Abrahão

Agency: BR/BAUEN, Goiânia, Brazil

Agency website:

Creative Director: Rodrigo Francisco & Braz de Pina

Stationary Photographer: Daniel Barros

Model Photographer: Pedro Prestes

Published: April 2013

Short rationale (optional): The Rafaela Abrahão project consists of completely developing a visual identity for a Brazilian fashion blogger. We do not work with the idea that we were developing just a visual identity project for a fashionist, we went further, and developed something that represents the deepest from Rafaela Abrahão, from her external characteristics to her preferred consumer brands, going through the pride of her family's origins, to philosophical questions as her spiritual experiences, in this case, Christianity.

BREAK: LAVAZZA branding design


Title(s): Lavazza A Modo Mio

Agency: BREAK, Milan, Italy

Agency website:

Creative Director: Alessandro Di Bello

Art Director: Alessandro Di Bello

Copywriter: Laura Cremonesi

Photographer: Velvet Studio (Milano)

Short rationale (optional): Lavazza is, simply, the synonym of the Italian espresso culture. After 110 years of experience, the market leader was able to establish a brand new consumer experience by introducing the first integrated coffee pod system: a new way of living, tasting and sharing the espresso philosophy. The company asked for a whole brand architecture and an exclusive graphic design to identify both the machine and the pods. Technology and tradition were the two key values to communicate in order to empower the brand awareness, suggesting a solid continuity with the family coffee ritual and introducing a refined technology to get an even faster espresso. "A modo mio" ("In my own way"): the innovative product experience became the new brand name itself, with a robust declaration of Italian essence. The modern, sober logo was enhanced by a sparkling packaging, featuring a linear, geometrical design and fancy, lively shades of colour, in a refined balance between institutional and emotional. The work crucially helped the brand to achieve a powerful retail positioning, which turned out to a relevant selling increase and brand awareness enforcement.

Blue Marlin: Hornsby brand identity

Brand: Hornsby's

Title(s): Hard Cider

Headline and copy text (in English): Hornsby’s Charges In with New Brand Identity by Blue Marlin

Agency: Blue Marlin, Brookyln, USA

Agency website:

Creative Director: Mary Kay O'Connor

Illustrator: Chris Mitchell

Additional credits: Senior Designer: Paul Demyanovich

Published: 2013

Short rationale (optional): The new identity needed to celebrate Hornsby's 15 year heritage and break down barriers between beer and cider drinkers to bring the budding hard cider category into the American mainstream. With these aims in mind, we wanted to capture Hornsby's spirit of adventure. To visually represent its new identity, and achieve maximum shelf impact, we made heavy use of the colour white, which is a significant departure from the navy blue previously used. The Hornsby’s rhinoceros, which underscores the boldness associated with the brand, was elevated to brand icon status and redesigned to have a more contemporary, masculine look.

adam&eveDDB: VW 'Baby' TV ad

Brand: VW

Title(s): Baby

Agency: adam&eveDDB

Agency website:

Creative Director: Jeremy Craigen

Additional credits: Creative: Nikki Lindman/Toby Brewer, TV Producer: Lucy Westmore, Production Company: Outsider, Director: James Rouse, Producer: Benji Howell, Post-production: Work Post/Framestore, Audio: Factory

Published: April 2013

moodley brand identity: Toni Handels GmbH branding

Brand: Toni Handels GmbH

Title(s): Toni's Eierlikör

Headline and copy text (in English): Toni’s fine egg liqueur

Agency: moodley brand identity, Graz/Vienna, Austria

Agency website:

Creative Director: Mike Fuisz

Art Director: Natascha Triebl

Photographer: Marion Luttenberger

Additional credits: Graphic design: Natascha Triebl, Sabine Kernbichler

Short rationale (optional): Products from the Toni’s brand have always stood for the theme of “freedom” – as the brand is the pioneer of the famous organic free-range eggs in Austria. The hens at “Toni’s” have been enjoying life, roaming around in freedom, for more than 25 years, - a question of attitude and of good taste. Therefore, the visionary, Toni Hubmann, continues to adopt new and sustainable approaches. How wonderful that there is now also Toni’s fine egg liqueur, made of original Stroh Inländer Rum, real Fairtrade vanilla, lots of love (after all, the slogan is: “From Toni’s with love”) experience and of course, fine Toni’s free-range eggs. In order to protect the taste even more, it is filled into shapely glass, swing top bottles and wrapped in a sturdy, beautifully illustrated box. The typography and colours of the new, 100 per cent recyclable, packaging have high brand recognition. A feast for both the eyes and the palate.

Tangent Graphic: Takeaway China brand marque and identity

Brand: Ricefield

Title(s): Takeaway China

Agency: Tangent Graphic, Glasgow, Scotland

Agency website:

Creative Director: David Whyte

Additional credits: Dave Morrow, Gary Dickson, Andrew Stevenson

Short rationale (optional): Takeaway China is an annual festival held in Glasgow, celebrating contemporary Chinese film, arts and photography. The brand marque features an iconic symbol of Chinese culture – the hand fan. The fan is formed by displacing the four uppercase A’s from the event title. The identity symbolises the core objective of the festival. By attending the diverse range of events and activities, the audience is able to ‘takeaway’ a slice of Chinese culture. We created a series of illustrations based on Chinese filmic style, where atmosphere, sense of place and character are key. These illustrations evoked a strong feeling of cinematography and were used throughout all communication material. We applied the identity across all printed promotional materials.

Refinery: Manchester Arndale creative campaign

Brand: Manchester Arndale

Agency: Refinery, Manchester, UK

Agency website:

Creative Director: David Pye

Senior Art Director: Stephen Bagshaw

Photographer: Ben Spriggs

Published: April 2013

Short rationale (optional): Showcasing products from Manchester Arndale’s 240 stores, 19 health and beauty boutiques, 60 fashion retailers and 42 eateries, the campaign creative reinforces the centre’s core brand message – Whatever you’ve got in mind, we’ve got inside.

_Co Partnership: Andevine bottle design

Brand: Andevine

Title(s): Andevine

Headline and copy text (in English): Andevine

Agency: _Co Partnership, Sydney, Australia

Agency website:

Creative Director: Zoe Green

Art Director: Max Harkness & Zoe Green

Copywriter: Max Harkness

Illustrator: Zoe Green

Photographer: Carl Drury

Short Rationale (optional): Andevine is a wine brand created for Hunter Valley winemaker Andrew Leembruggen’s first release. As a signature wine it was important for the design to reflect Andrew’s two biggest influences, his Dutch ancestry and his Australian upbringing. The story is illustrated with the national flowers of Holland, Australia and the state federation flower of New South Wales, creating a memorable letter A in the style of the Dutch Masters. We created the name Andevine, a fusion of the winemaker’s first name and the very beginnings of the story, the grape vine.

AMV BBDO: Snickers 'Google' viral search campaign

Brand: Mars

Title(s): Snickers

Headline and copy text (in English): Google Search

Agency: AMV BBDO, London, UK

Agency website:

Creative Directors: Alex Grieve & Adrian Rossi

Art Director: Andy Clough

Copywriter: Rich McGran

Additional credits: Agency Planner: Amy Witter, Agency Account Manager: Katy Davis, Dhane Scotti, Chloe Harding, TV Producer: Robbie Kilgour, Digital Producer: Steve Bond, Media Agency: Mediacom, Media Planner: Lucy Mitchell, Digital Production Company: Media Monks

Published: April 2013

BBH London: Robinsons Cordials 'Pals' TV ad

Brand: Robinsons Cordials

Title(s): Pals

Agency: BBH, London, UK

Agency website:

Creative Director: Hamish Pinnell/Justin Moore

Additional credits: Creatives: Matt Moreland/Chris Clarke/Sarah Hardcastle/Elliot Sheils, TV Producer: Glenn Paton, Production Company: Academy Films, Director: Si & Ad, Producer: Dom Thomas, Executive Producer: Lizzie Gower, Photography: Barry Ackroyd, Post-production: The Mill, Editing House: Final Cut, Editor: Joe Guest, Sound Designer: Nick Angell

Published: May 2013

Digital Imaging Services (DIS): Brtish Fashion Council's LONDON Show ROOMS design

Brand: British Fashion Council

Title(s): LONDON Show ROOMS


Agency: Digital Imaging Services (DIS), Wolverhampton, England

Agency website:

Photographer: Mark Bradley

Additional credits: Managing Director of DIS, Mark Bradley organised and oversaw installation

Short rationale (optional): Print specialist Digital Imaging Services rubbed shoulders with the fashion elite this month when it joined the British Fashion Council in New York to install the LONDON show ROOMS. This event is a continuation of a relationship which has already seen Digital Imaging Services create innovative event installations at previous LONDON show ROOM events in Paris, New York and LA. Digital Imaging Services undertook the logistics and installation for the event in New York, producing and installing vinyl graphics, light boxes, digital projections, graphic panels and walkway branding. The combined activity turned the event space at the Industra Superstudio in Manhattan into a high impact and sophisticated area for Britain’s fashion elite to showcase their collections.

Gillian West

Gillian West manages the Creative Works section of The Drum covering weekly round-ups, Ad of the Day, Creative Work of the Week and Creative Work of the Month.

All by Gillian