16 March - 24 April 2020

Our online festival is underway with a packed programme of interviews and panels. Featuring talks from the industry’s biggest brands and most innovative individuals, this event explores what digital transformation really means for marketing.

16 Mar 10:00 GMT / 06:00 EST

The Drum Digital Transformation Festival launch

Gordon Young
Editor-in-chief at The Drum

London Symphony Orchestra: Dancing on the Edge of a Volcano by Superunion

Agency: Superunion
Date: Feb 2020
Your Vote
Overall Rating
Opps, please vote again
25 votes

Conducting an orchestra is a physical activity, one based in passion and musical precision. The action of the London Symphony Orchestra’s conductor, Sir Simon Rattle, is the basis for a surreal launch spot for the LSO’s season campaign, ‘Dancing on the Edge of a Volcano.’

WPP brand agency Superunion unveiled the first live action film to mark the launch of its new season campaign, a two-year exploration of music written during the first four decades of the 20th century.

Superunion collaborated with Found Studio and dancer Ella Robson Guilfoyle to create a dramatically beautiful, explosive and mesmerizing live action film that captures the musical action.

This is the fourth campaign Superunion has worked on with LSO since the launch of its new brand in 2017. All the campaigns have visualised the movement of the baton conductor Rattle, but the latest film is the first to use live action rather than CGI to bring the motion capture to life. In order to stay true to the original brand concept, Guilfoyle’s dance was choreographed to replicate the movement of Sir Simon’s baton as he conducted Stravinsky’s Rite of Spring.

The filming and production took place over three stages, which are chronicled in a series of making-of videos. First was the fabric dance, where Guilfoyle danced with fabrics to create the base layer of movement. To ensure Ella followed Rattle’s conducting movement to the 50-second clip of music, she choreographed 19 individual ‘bite-size’ sequences. Using the RED Helium camera, each sequence was shot in isolation from above in 5K at 50 frames per second.

In stage two, the dancer highlighted the explosive moments in the music with expressive movements with sparklers, flares, smoke grenades and chalk dust. These were shot at 100 frames per second.

In post-production, a full-length dance piece was then created from the individual 19 sequences and then retimed to match Sir Simon’s timings. This retimed sequence was then processed with a bespoke echo effect to create a fiery flame-like effect. The result is one where the dancer becomes an extension of the baton in an abstractly beautiful fashion.


Superunion team:

Stuart Radford, Executive Creative Director

Sam Ratcliffe, Senior Designer

Rich Pizey, Senior Motion Designer

Erik Brattested, Senior Designer

Mairi Murdoch, Account Director

Miki Nathan, Account Manager

Found team:

Produced and directed by Found Studio

Mike Sharpe, Creative Director

Sophia Georgiou, Producer

Overall Rating
Overall Rating

Join us, it’s free.

Want to read this article and others just like it? All you need to do is become a member of The Drum. Basic membership is quick, free and you will be able to receive daily news updates.