Close Shave by Saatchi & Saatchi
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EE has gone to extremes to demonstrate the performance of its 4G and 5G network, enlisting the help of Lucifer actor Tom Ellis and Kevin Bacon to do so. Shot live, the ad sees Ellis get a shave on Snowdon (the highest mountain in Wales and England) 729 metres above sea level. Only the shave is performed by a robotic arm being controlled remotely by a barber 250 miles away in Clapham, who is joined by Bacon.
“How many times has your network let you down when you need it most?” asks Dan Treichel, executive creative director, Saatchi & Saatchi, on the thought process behind the EE campaign. “That was the guiding light behind the idea and an experience that will resonate with everyone.”
He explains that with that instruction, Saatchi & Saatchi's creative teams got down to business to uncover where it would be bad for mobile users if the network didn’t work, considering all those infuriating moments like when you can’t get data to check exam results.
“We looked at a lot of ideas to bring this to life, many of them with big epic stunts,” Treichel recalls. “But the one that stood out came from Cristiana and Alice on the creative team who had the brilliant idea of shaving somebody from across the country.“
The team started to figure out how to connect barbershops but felt it would be a more oomph and flare. And so EE suggested putting it somewhere remote, which Treichel calls a “eureka moment“ and an “exemplar of client-agency co-creation.“ They then teamed up with the Mill, who helped build a robotic arm capable of accuracy down to the millimetre.
As the stunt was a real, live network demonstration, Sam Kemp, products and devices technology director at EE says that from the get-go, the team were focused on ensuring the experience was built with the EE network at its very heart.
“For real, no funny business, no boosters, no wi-fi. We relied only on our real-life network to pull off this epic vision,“ he insists. “It was essential to the experience (and to Tom’s beard) that the information from the barbershop in London could be transmitted almost instantly to Snowdon.“
He points to network coverage being a challenge, where the EE team hiked up Snowdon four separate times to test the network ahead of the shoot. “The vantage point from this particular spot on Snowdon provided not only with the connection needed but a pretty epic backdrop for the campaign,“ he says. “And getting the robotic arm up the mountain was no small feat.“
Kelly Engstrom, brand and demand generation communications director for EEPeople says success will be its customers believing that EE only number one network. “It’s why we create campaigns for real using our network. You can say you are number one, and many people do. But we don’t just want to say it. We believe it and we want to prove it,“ she stresses.
Credits
ADVERTISING AGENCY: SAATCHI & SAATCHI LONDON
CHIEF CREATIVE OFFICER: GUILLERMO VEGA
EXECUTIVE CREATIVE DIRECTOR: DAN TREICHEL
CREATIVE DIRECTOR: FRANCESCO GRANDI
HEAD OF ART: RODRIGO CASTELLARI
CREATIVES: ALICE MARANI AND CRISTIANA CANDIDO
PLANNING PARTNER: KRISTIAN HENSCHEL
SENIOR PLANNER: JACK TREW
MANAGING PARTNER: HUMPHREY TAYLOR
BUSINESS LEADER: CHARLOTTE ELWIG
ACCOUNT DIRECTOR: VITALIA FLORIS
EXECUTIVE PRODUCER: RICHARD FIRMINGER
PRODUCTION ASSISTANT: GEORGIA DAY
MEDIA BUYING AGENCY: ESSENCE
PLANNING DIRECTOR: SOPHIE FRANKS
PLANNING MANAGER: GRACE MURPHY
PRODUCTION COMPANY: SMUGGLER
DIRECTOR: HENRY ALEX RUBIN
TECH PRODUCTION COMPANY: THE MILL EXPERIENCE
EDITOR: SCOT CRANE @ THE QUARRY
AUDIO: JON CLARKE @ FACTORY
CITY / COUNTRY: UK
EXPOSURE: NATIONWIDE