back
to thedrum.com
Advertisement
Skip to content
Sam Bradley
Journalist
The Drum
After a slow year in APAC, should agencies expect faster growth in 2024?
‘No such thing as too much emotion,’ but should brands earn the right to make weepy ad...
Inside BETC Paris’s decade-in-the-making offensive on English-speaking ad world
‘Feeling machines who think’: how ad creatives can reach the heart through the head
‘Divine discontent’: how Ogilvy connects creativity to commercial growth
Creatives tell us how to find the Goldilocks zone for emotional storytelling in ads
AI workflows and asset-based pricing: inside Media.Monks’s production studio overhaul
How to think like Rethink, the world’s most-awarded creative agency
How Serviceplan’s ‘übercreativity’ blueprint helped it become Europe’s most-awarded...
Stagwell CEO Penn says tech spend returning despite growth figures missing expectations
‘Investment in creativity paying off,’ says Read as WPP tops World Creative Rankings
John Lewis set to shift content production duties to in-house unit
Visiting Bogotá on client business? Here’s where to take your contacts
WPP’s Read says results show ‘resilient’ performance despite tech spending impact
Ogilvy’s latest partnership tests how far strategists can trust an AI focus group
When a food & drink trend reaches its sell-by date, how should brands respond?
AI-assisted copywriting more effective than human-penned ads, study finds
Pitching experts share tips for agencies answering client RFIs
How to update a brand mascot without upsetting your audience
Taking the pitch: agencies report ‘bad behavior’ from marketers during reviews
Previous
Next page