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Data Festivals Glastonbury

'Festivals are no longer a pitch-up and switch off affair': A marketer’s line-up to festival success

By Ken Parnham, General Manager, Europe

June 27, 2016 | 5 min read

The worst mud in 20 years did nothing to dampen spirits as Glastonbury goers donned their wellies and waterproof onesies, flagged down a passing wheelbarrow, and made sure the soggy event was still something to tweet about.

Music festivals

Marketers guide to music festivals

In fact, the only accessory more popular than the rain mac was the smartphone. Organisers planted Wi-Fi hedges around the site to provide constant web access for revellers and network provider EE tripled its capacity to support a surge in mobile traffic. Consumers go to Glastonbury to absorb real-world entertainment, but take tech with them to keep one foot in the digital world. For today’s consumers no festival would be complete without posting Instagram selfies, sharing the experience via Snapchat, or locating their tent using GPS.

Music tourism is already big business. In the UK alone, live festivals attract 9.5 million people and generate £3.1bn on an annual basis. Although the appeal of such lucrative events for brands is obvious, winning over the crowds is a challenge. Around 60 per cent of attendees understand the need for brand sponsorship, but don’t feel it enhances their experience. Simply maintaining a presence at festivals is no longer enough to achieve cut-through. Brands must provide messages that are personalised, engaging, and genuinely useful for individual attendees. With smartphones making their way into the fields, the mobile intelligence available to brands is extensive and it is now possible to identify the right users amongst the crowds to target marketing messages accordingly.

As any festival connoisseur knows, the most crucial factor for a successful event is the line-up. So what are acts do brands need to incorporate into their strategy to create a perfectly tuned marketing mix?

The crossover artist

Just like any artist whose music traverses a range of musical styles and genres, a brand’s festival campaign must work seamlessly across multiple channels. Capturing the attention of festivalgoers is not just a question of building a great mobile, out-of-home, or social media focused campaign, but of ticking every box at once. The most important act to include is therefore a multi-channel strategy that will maximise impact and outpace the competition by extending your brand presence across every channel with messages that are ideally suited to the environment.

The singer with personal appeal

The foundation of any festival campaign is an in-depth understanding of who you are trying to reach, enabling you to deliver content that strikes a personal chord with individuals and develops a lasting emotional connection with the brand. As festival attendees use mobile devices non-identifiable personal data can be leveraged to build up a detailed picture of who they are and what they do.

Using location intelligence data, it is possible to determine the age, gender, affluence, and schedule of festivalgoers at each Glastonbury campsite. This year, 18-25-year-olds, who made up 34 per cent of this year’s Glastonbury attendees, were most likely to be found at Big Ground, Dairy Ground, Lower Mead and Pylon Ground campsites, while campsites such as Oxlyers Field were favoured by the 36-45-year-old demographic who made up 25 per cent of the audience.

The right-on time band

Nothing has the ability to spoil a musical moment quite like bad timing and to connect with audiences campaign delivery must be planned with maximum precision. For example a drinks brand will have far greater success targeting festivalgoers with a special offer during the break than when the headline act is playing. It’s vital your campaign slots into the festival schedule — a feat made much easier with mobile data that enables you to determine when your target consumer is near the beer tent and ready to receive a mobile message.

The fantastical finale

The last, but equally crucial, ingredient to a great festival is an act that captures the audience’s imagination; there is no place here for generic or corporate messaging. Creative must be fun, utterly in tune with the feel of the festival, aligned with what festivalgoers want, and engaging enough to pique their interest. Location data can be used in combination with other insights, such as interest data, to construct fully rounded individual user profiles that define what makes users tick.

As an example location data revealed the Dairy Ground campsite was particularly popular with partygoers, with the majority of activity taking place between 2am and 4am, while early risers favoured the Campervans East and Cockmill Meadow campsites. Armed with this information, you can create campaigns targeted to the festival vibe knowing what is most likely inspire each attendee — boosting engagement and revenue.

Festivals are no longer a pitch-up and switch off affair. By making the most of the mobile revolution and utilising the data festivalgoers produce, brand marketers can not only understand individual tastes, habits, and preferences, but also put together an irresistible line-up of campaign elements guaranteed to secure festival success.

Ken Parnham is general manager Europe at Near

Data Festivals Glastonbury

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