Death in Ice Valley, a joint effort from BBC World Service and NRK, scooped the podcast of the year award at The Drum's Online Media Awards 2019. In this case study, we hear how it was made.
Death in Ice Valley is a podcast series that sounds like no other in the world: an immersive listening experience which involves thousands of followers in a live investigation, actively trying to solve a 48-year-old real-life mystery.
It is a unique collaboration between two European broadcasters – the BBC World Service and NRK, bringing together their journalism, podcast expertise and digital innovation.
The series, commissioned by World Service podcast editor Jon Manel, follows a two-year investigation into the mystery surrounding the life and death of an unknown woman whose burned body was found in western Norway in 1970, at the height of Cold War.
Involving theories of espionage, multiple identities, secret codes, gold teeth, and using the cutting edge of forensic science, NRK's investigative journalist Marit Higraff and the BBC's Neil McCarthy embark on a complex 10-part journey to get closer to the Isdal Woman’s true identity.
The trail takes them from Norway to Spain and Germany as new clues are unearthed and 21st century science reveals details about the case hidden or unknown for half a century.
A key part of the storytelling involves the listeners in the hunt for new leads. They are invited to join the nearly 20,000-strong Death in Ice Valley Facebook group, run by World Service digital editor Anna Doble and social journalist Beth Ryder.
Here they can examine information from documents, photographs, maps and videos. In the group we also posted an exclusive animated version of the first episode, before it was released elsewhere. Members continue to share and generate theories every day. They have helped decipher code, tracked down the origins of objects, such as a spoon found in the woman's luggage, and have even visited hotels where we know the Isdal Woman stayed.
Throughout the recording process we made sure that we could take on and include new information which arose from the group. In episode 10 we feature the best of the group’s findings on the case – and look at new theories about who the woman may have been connected with all those years ago; working from theories and evidence brought to light by audience members.
The power of the crowd – from literally all over the world, and strongly female - created tremendous momentum in our storytelling. And it is their determination which is now leading to further discoveries which we believe will take us closer still to solving the case and naming the woman.
Death in Ice Valley also sounds beautiful, with striking and original sound design from Phil Channell underpinning the meticulous journalism and compelling storytelling.
Death in Ice Valley has been downloaded/streamed more than 4 million times since launch. The series was featured by iTunes as one of the best and most downloaded new shows of 2018.
This podcast has truly cut through in the crowded true-crime podcast marketplace and has topped podcast charts globally. It is the BBC’s most successful podcast-only launch to date. Listeners have been in touch from all over the world, including Zambia, New Zealand and even the South Pole.
Critically acclaimed around the world, Death in Ice Valley was praised by Podcastreview.org for heralding a new podcast format. “Something new has been created here,” they said. “Death in Ice Valley extends the possibilities of communal crime solving into communal storytelling, a prospect bound to transform the medium.”