Creative Work: Featuring Lost Boys, AKQA, 4Creative and more

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By Gillian West, Social media manager

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October 5, 2015 | 25 min read

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Welcome to The Drum Creative Department, sponsored by Workfront.

As always this section is dedicated to showing the best creative work and gives you, the reader, the chance to decide which work we feature in our printed edition of The Drum and our 'Ad of the Week'.

You can vote for the work you like best, simply by clicking the 'Like' button beside the work, and the winner will be featured online.

To submit work for future publication contact Gillian West. For voting updates and more follow The Drum Creative Showcase on Twitter @TheDrumCreative.

Lost Boys: Honda 'Power Units'

Brand: Honda

Title(s): Power Units

Agency: Lost Boys

Agency website: http://lostboys.com/

Creative Director: Simon Gill

Art Director: Jordan Hiller

Copywriter: Keith Byrne

Additional Credits: Planner: Harry Pugsley

Client services: Sarah Oliver

Community Manager: Elliot Hackney

Producer: Kyson East

Published: September 2015

Short Rationale: Honda has launched a new social initiative to celebrate McLaren Honda’s return to the Suzuka Circuit for the 2015 F1 Japanese Grand Prix. The campaign was created in collaboration with social and content agency Lost Boys.

The initiative features the Power Unit characters that Honda launched via social channels in March this year. These quirky characters celebrate Honda’s rich racing heritage and pursuit of racing glory. Each Power Unit has its own unique personality, inspired by Honda F1 drivers and engineers of the past.

To celebrate Honda’s return to Suzuka, McLaren Honda’s home circuit, Lost Boys and Honda have created a series of short films featuring animated Power Units. Bedecked in their Japanese Sensei colour way, these quirky video messages will be tweeted across the Grand Prix weekend.

The two Sensei Power Units will provide personalised words of encouragement to McLaren Honda drivers, Jenson Button and Fernando Alonso, and the Honda Racing F1 team, and say thank you for the support to famous fans, motorsport commentators and influencers.

Notable recipients include Kaiser Chiefs frontman Ricky Wilson, Sky Sports F1 presenter David Croft and BBC F1 presenter Suzi Perry.

AKQA: Nike 'Nike+ Run Club Re-Run'

Brand: Nike

Title(s): Nike+ Run Club Re-Run

Agency: AKQA

Agency website: http://akqa.com

Account Director: Charlie Villiers

Creative Executive Creative Director: Masaya Nakade

Group Creative Director: Davor Krvavac

Associate Creative Director: Alvin Helmandi

Art Director: Carlos Carrasco

Senior Designer: Pedro Eloi

UX Senior User Experience Architect: Ronin Cho

Delivery Executive Delivery Director: Yogo Otero

Senior Technical Delivery Manager: Bertrand Everwyn

Partners

Rhizomatiks

Google

Additional credits: Client Services

Client partner: Brian Snyder

Published: September 2015

Short rationale: For the first time, runners were able to turn their fastest mile into a unique hyperlapse video. NRC Re-Run launched as part of the Nike Find Your Fast initiative to support the launch of the Nike Air Zoom Elite 8: Nike’s speediest shoes. NRC Re-Run took Nike+ run data and paired it with Google Street View images of the user’s running route pulled in real time from the Google Maps API, to create an original hyperlapse video of their fastest run. Live across 16 countries, the personalised videos could be shared across Instagram, Facebook, Twitter, Weibo and WeChat.

4Creative: Channel 4 'Brand refresh'

Brand: Channel 4

Title(s): Brand refresh

Agency: 4Creative

Agency website: http://www.4creative.co.uk/

Executive creative director: Chris Bovill, John Allison

Creative director: Chris Bovill, John Allison, Alice Tonge

Creative: Alice Tonge

Additional credits: Head of Production: Clare Brown

Executive Producer: Shananne Lane

Business Director: Nik Windsor

Senior Producer: Louise Oliver

Designer: Tim Fellowes, Aimi Awang

Strategy: Nik Windsor, Olivia Browne, James Hamilton

Head of Marketing: James Walker

Group Marketing Manager: Rosalind Godber

Concept & OSP: DBLG studios

Creative Director: Grant Gilbert, Steven Qua

Producer: Natalie Greenwood

Design and Animation Team: Jacob Vanderkar, Rita Louro, Jason G. Wiley, Marcel Piekarski, Eduardo Escanho, Marco Savignano, Sam Trimitrimi

OSP Post Production Partners: The Moving Picture Company, Envy Post Poduction, Tag

Idents: A+/Academy Films

Writer and Director: Jonathan Glazer

Producer: Simon Cooper

Production Manager: Bugs Hartley

Director of Photography: Alex Barber

Production Designer: Chris Oddy

Editor: Paul Watts @ The Quarry

VFX: One of Us

Lead Post Supervisor (One of Us): Emmanuel Pinchereau

Post Producer (One of Us): Leila Nicotera

Special Effects: Asylum

Shaman Costume Design: Chris Oddy/Kate McConnell

Audio: Johnnie Burn @ Wave

Music Composition: Mica Levi

Original Score Performed by Orchestrate

Fixer Bridget Samuels for Orchestrate

Font: Brody Associates

Creative Type Director and Designer: Neville Brody

Type Designer: Luke Prowse

Project Manager: Philip Rodgers

Designers: Jack Lewellyn and Chris Nott

Published: September 2015

Short Rationale: Channel 4 unveiled a brand new look for its main channel on Tuesday 29 September 2015, featuring new idents inspired by the deconstruction of the iconic Lambie Nairn 4.

The refreshed identity reflects Channel 4’s public service remit focussed on innovation, diversity and taking creative risks and is the latest evolution of a brand that has existed in its current form for over a decade.

The channel’s new idents demonstrate an innovative new take on the Channel 4 logo. 4Creative collaborated with Academy Films who produced this part of the project. Director Jonathan Glazer (Under the Skin, Guinness ‘Surfer’, Sony ‘Paint’) took the original brief and crafted a story, writing and directing the set of films; a four-part narrative that is to be continued…

Globally renowned graphic designer Neville Brody (The Times London, Yamaha, Christian Dior, Samsung, Converse, GAP, Nike, Royal College of Art) was commissioned to cut two exclusive new typefaces for Channel 4 named Horseferry (for display) and Chadwick (for information). These can be seen as part of the channel’s refreshed on-screen graphics (e.g. end of programme credit panels, branded stings, menu information graphics and programme title cards) as well as its bold new off-air/poster art direction.

Adam&EveDDB: Waitrose 'Make this autumn the warmest season'

Brand: Waitrose

Title(s): Make this autumn the warmest season

Agency: Adam&EveDDB

Agency website: http://www.adamandeveddb.com/

Chief Creative Officer: Ben Priest

Executive Creative Director: Ben Tollett, Richard Brim

Art director: Feargal Ballance

Copywriter: Patrick McClelland

Additional Credits: Agency TV producer: Suzy MacGregor,

Agency TV Production Assistant: Sion Prys

Agency Print producer: Laura Smith

Agency Digital Producer: Sion Prys & Oliver Parker

Planner: Dom Boyd & Will Grundy

Managing Director: Tammy Einav

Business Director: Victoria Day

Account manager: Abi Robinson

Media agency: Manning Gottlieb OMD

Media planner: David Ellis

TV Production company: HLA

Director: Simon Ratigan

Editor: Adam Spivey

Post Production: The Mill

Post Producer: Bethaney Phillips

Colourist: Seamus O’Kane

Audio Post Production: Sam Ashwell at 750MPH

Soundtrack name and composer: Rather Blustery Day from Winnie the Pooh

Photographer Andy Sewell

Photographer's agency Blackdog

Retouching company Stanley’s Post

Digital production Company: Banner Boys

Developer: Sebastian Hofer

Published: October 2015

Short Rationale: Waitrose injects a little warmth into British homes this week with its first campaign by Adam&EveDDB.

Featuring an array of delicious seasonal foods available at Waitrose, ‘The Warmest Season’ campaign, is a celebration of a traditional British Autumn.

It launches with a TV ad featuring Waitrose’s own suppliers and producers battling with the all too familiar British weather to bring only the best seasonal produce into the nation’s homes this autumn. It is set to the soundtrack from the original 1968 Disney feature, 'Winnie the Pooh and the Blustery Day'.

101: Art Fund 'Never far from art'

Brand: Art Fund

Title(s): Never far from art

Agency: 101

Agency website: http://www.101london.co.uk

Creative Director: Mark Elwood

Creative: Ben Williams, Greg Stekelman

Designer: Dave Allen

Additional Credits: Agency Producer: Jack Waters

Account Director: Georgina King

Planner: Joe Smith

Media Agency: the7stars

Published: October 2015

Short Rationale: 101 has created a new campaign - “Never Far From Art” – to support the Art Fund’s National Art Pass. The out of home ads can be seen across London’s underground and rail stations from Monday 5 October and highlight the close proximity of the public to works of art all around the capital.

To encourage new National Art Pass sign-ups, 101 has created a series of eye-catching ads highlighting the varied works of art that people can see in museums and galleries near their exact location or from relevant tube stations. 206 bespoke poster executions will be located at 96 central London underground and rail stations including: Leicester Square (National Portrait Gallery), Charing Cross (Courtauld Gallery, South Kensington (V&A, The Science Museum), High Street Kensington (Leighton House) and Southwark (Tate Modern).

The “Never Far From Art” ads feature different works of art, including paintings and sculptures, that highlight the viewer’s proximity to exhibitions in London. One ad simply says ‘Two Parakeets, a pony cap and a dog ejector seat’, in reference to the nearby Pleasure and Pain exhibition at the V&A, Art and Identity at the British Museum and Birth of the Space Age at the Science Museum.

Mcgarrybowen: Sky Vegas 'Why aren’t you in Sky Vegas?'

Brand: Sky Vegas

Title(s): Why aren’t you in Sky Vegas?

Agency: Mcgarrybowen

Agency website: http://www.mcgarrybowen.com/

Executive Creative Director: Angus Macadam, Paul Jordan

Creative Team: Paul Bailey, Russell Hendrie

Additional Credits: Exec Planning Director: Kevin Chesters

Planner: Michael McCourt

Agency Producer: Charlotte Stirrup

Business Director: Alice Tendler

Account Director: Brendan Taylor

Film Production: Outsider

Director: Chris Balmond

Producer: Paul McPadden

DOP: Kit Fraser

Editor: Nic Lowicz

Animation/Post-production: Mainframe

Creative Director: Lee Walker

Producer: Emma Kolasinska

Executive Producer: Adam Jenns

Colourist: Kenny Gibb

Audio Production: Grand Central

Sound Engineer: Munzie Thind

Published: October 2015

Short Rationale: Mcgarrybowen London’s first TV campaign for Sky Vegas airs on the 5 October, signalling a new era for the online gaming brand which is part of the Sky Betting and Gaming portfolio.

Asking the question, ‘Why aren’t you in Sky Vegas?’, the campaign aims to cut through the crowded marketplace by creating a memorable new identity for the brand. Based on the truth that there is always something awesome happening in

Sky Vegas and it’s only a click away, it intends to build greater loyalty from consumers who are notoriously promiscuous.

The creative idea heroes individual customers as they enter the excitement of a Sky Vegas world. The glamour and pizazz of Vegas is translated through an animated journey as they encounter a world of rockstar roulette-wheel guitars, gold coin rollercoasters and spinning spaceship reels. The spots are accompanied by rock classic ‘Evil Woman’ by Spooky Tooth with a voiceover by US actor Norman Chancer.

Wordley Productions: Hungryhouse.co.uk 'Tap the app'

Brand: Hungryhouse.co.uk

Title(s): Tap the app

Agency: Wordley Productions

Agency website: http://www.wordleyproduction.com/

Additional Credits: Director: Hardey Speight

Producer: Daniella Parris

Director of Photography: Peter James

Production Manager: Kylie Cornelius

Food Stylist: Kate Wesson

Published: October 2015

Short Rationale: Hungryhouse.co.uk has launched its new TV campaign producing a fresh and food focused adaptation of its winning formula, introducing new elements such as visual food preparation scenes and carefully selecting a cast that resonates with a large proportion of their users.

Following the success of the last year and mobile traffic continuing to grow, the brand remained with ordering via the app, however removing the app cam feature and adopting ‘tap and taste’, where the camera dives into the phone and straight to the kitchen showcasing quality food and celebrating restaurant partners, an integral and valued part to the online platform.

The first of the TV spots to be released depicts three friends returning home and ordering a curry on the app, with the voiceover adding “Tap the app and you can almost taste it”, as the camera then dives into the app to show the chef preparing the meal with fresh and mouth-watering produce.

Studio JQ: Over The Hills Mineral Water 'Packaging and Branding'

Brand: Over The Hills Mineral Water

Title(s): Packaging and Branding

Agency: Studio JQ

Agency website: http://www.studiojq.co/

Published: September 2015

Krow: DFS 'Ready hands'

Brand: DFS

Title(s): Ready hands

Agency: Krow

Agency website: http://www.krowcommunications.com/

Executive Creative Director: Nick Hastings

Senior Creative: Jon Mitchell, Darryl George

Additional Credits: Account Director: Blake Armstrong / Felicity Pelly

Account Manager: Emily Girling

Senior Planner: Aileen Ross

TV Producer: Davina Hickson

Film Production: Outsider

Director: Pedro Romhanyi

Producer: Gareth Francis

Photography: Ray Coates

Editing House: Shaun Gardiner @ Big Buoy

Post Production: Richard Hawkins @ The Mill

Smoke: Richard Payne

Sound Design: Jungle

Published: September 2015

Short Rationale: krow have created an integrated campaign to showcase DFS’ British heritage, quality and craftsmanship.

The campaign was filmed in DFS’ own Lincoln House Workshop in Derbyshire and stars actual DFS craftsmen and women who were cast on the day of the shoot.

The campaign will launch with a TV spot featuring portraits of DFS craftspeople as they take up the tools of their trade, ready for their impending Christmas rush. We see carpenters and upholsterers taking hold of their hammers, pattern cutters armed with scissors and fabrics, and seamstresses eagerly waiting behind their sewing machines.

The same craftspeople are featured in a complimentary press campaign. What’s more, after recently winning the DFS digital business, the campaign idea is now reflected across all digital comms, which further reinforces the care, and attention DFS put into each and every product.

The campaign focuses on bringing to light the brand’s hidden truth that each and every sofa is handmade to order by their skilled craftsmen and women, many in their own UK workshops.

Ogilvy Paris: Allianz France 'Allianz Restart'

Brand: Allianz France

Title(s): Allianz Restart

Agency: Ogilvy Paris

Agency website: http://ogilvyparis.fr/

Executive Creative Director: Baptiste Clinet

Creative Director: Paul Kreitmann

Art Director: Régis Boulanger

Copywriter: Romain Repellin

Photographer: Jérémy Bouchet

Additional Credits: Assistant Art Director: Léa De Angeli

Photographer: Jérémy Bouchet

Account Director: Myriam Nouicer

Account Executive: Kévin Martin/Dorian Salort

Strategic Planner: Ivan Pejcic

Agency Producer: François Phan / Marine Redon

Sound Producer: Virgile Stein

Production Company: So Films/So Foot

Director: Julian Nodolwsky

Production Director: Frank Lenfant

Producer: Olivier Bassuet

Director of Photography: Nicolas de Saint Quentin

Post-production Company: Nightshift

Event Producer: Lagardère Sports

Published: September 2015

Short Rationale: Ogilvy Paris’ latest campaign for Allianz France called "Allianz Restart" is a program that aims at supporting promising young football players who had to abandon their dream of becoming professional football players.

Through authentic, strong visual storytelling and very simple narration, Ogilvy produces a 3 minute film that illustrates the up close role Allianz plays in its customers’ lives.

Earl Productions: Gorilla Organization 'Make a gorilla happy – Gorillas need all the friends they can get'

Brand: Gorilla Organization (mygorilla.org)

Title(s): Make a gorilla happy – Gorillas need all the friends they can get

Agency: Earl Productions, London

Agency website: http://earl-productions.com

Creative Directors: Tobias Hussey, Bryce Groves

Art Director: Riccardo Sai

Illustrator: Daniele Vilella

Photographer: Colin Elves

Additional credits: Starring: Bill Oddie & Peter Elliott

Producer: Tim Earl

Director: Riccardo Sai

Creatives: Tobias Hussey and Bryce Groves

Editor Tom Bober

Director of Photography: Colin Elves

1st Assistant Director: Acelya Kancelik

Camera: Oliver Cross

Set designer: John Beard

Wardrobe: Costume Boutique

Makeup: Jenna Treat

Styling: Alessia Tinti, Isabella Genova

Lighting: Video Europe

Original Music: Laura Rossi

Sound design and mix: Ludovic Morin

Animation: Daniele Vilella

Grading: Paul Dimond @ My Brother Bob

Foley Artist: Will Thomas

Location thanks to Martin Sheppard

Gorilla suit and crew thanks to Animated Extras International

Storyboard Artist: Daniel Daka

Creative Assistant: Sam Abrahams

Published: September 2015

Short rationale (optional): Toby & Hilary make a great team, even when Toby doesn’t quite fit with life in London! Sadly not everyone wants to be friends with a gorilla as much as Hilary does. But you don’t have to bring one home to help them out.

Design Bridge: Flora ProActiv 'Brand Identity and Packaging'

Brand: Flora ProActiv

Title(s): Brand Identity and Packaging

Agency: Design Bridge

Agency website: www.designbridge.com

Published: September 2015

Short Rationale (optional):Independent brand design agency Design Bridge today announce details of their work creating the new packaging design and visual identity for Flora ProActiv. The new logo, typography, visual identity and photography style position ProActiv as a premium lifestyle brand and reflect the powerful duality of the ‘pro’ and ‘activ’ of its name: the scientific expertise behind its active ingredient, plant sterols, and the healthy lifestyle it promotes.

The Red Brick Road: easyProperty 'Easy Street'

Brand: easyProperty

Title(s): Easy Street

Agency: The Red Brick Road

Agency website: http://www.theredbrickroad.com/

Creative Director: Matt Davis, Richard Megson

Creative Team: Libby Middlehurst, James Tyler

Additional Credits: Head of Strategy: Ben Mitchell

Business Director: Matt Anderson

Production Company: Another Film Company

Director: Olly Williams

Producer: Simon Monhemius

Director of Photography: Sam Goldie

Production Manager: Lucy Banks

Post house: Absolute Post

Editing company: Stitch

Editor (Offline): Leo King

Published: September 2015

Short Rationale: easyProperty, the online estate agent and part of easyGroup, has launched its first residential sales-focussed advertising activity following its appointment of The Red Brick Road as its lead creative and PR agency earlier this year.

The ad is set to an adapted version of the song ‘Easy Street’ from the musical Annie and features a couple gleefully and effortlessly packing up their house and moving out following their sale with easyProperty.

The spot will be broadcast on TV from Monday 21 September.

OOH activity and a high profile national PR campaign will follow.

Leo Burnett: McDonald’s 'Good to Know'

Brand: McDonald’s

Title(s): Good to Know

Agency: Leo Burnett

Executive Creative Director: Justin Tindall

Creative Directors: Richard Robinson and Graham Lakeland

Copywriter/Art Director: Adam Tucker

Additional Credits: Planner (creative agency): Sarah Sandford, Josh Bullmore

Media agency: OMD UK

Planner (media agency): Kat Howcroft & Chloe Grainger

Production Company: Sonny London

Production company producer: Nick Goldsmith

Director: Guy Manwaring

Editor: Mark Edinoff at Work

Post-production company: MPC

Audio post-production company: 750mph

Short Rationale (optional): McDonald’s UK launches a new integrated campaign to drive trust in the brand. Developed by Leo Burnett London and OMD UK, the campaign continues the myth busting approach seen in ‘The Cow’ earlier this year, with the launch of two ne1w TVCs in the campaign, focusing on McDonald’s other core products - chicken and fries.

It’s about showing customers the quality of the chicken that goes into Chicken McNuggets (100 per cent chicken breast meat), that Fries are made from real, whole British spuds and 100% beef from whole cuts of forequarter and flank goes into a McDonald’s burger. Each ad focuses around a main character who has been led astray by the myth makers. But not for long as they are soon steered back to the truth by the people who know best, be they farmers, butchers or teachers. The mood of each of the films is upbeat, packaging a serious message in a fun and charming way.

They will launch under the brand’s new customer proposition, ‘Good to Know’, and will direct people to the brand new ‘Good To Know’ website, a platform created by Razorfish, which aims to provide customers with further, interesting content that covers a breadth of McDonald’s food stories.

‘Fries’ and ‘Chicken’ will launch and run in rotation with ‘The Cow’ that launched earlier this year. National press, digital, social media and cinema executions will run alongside the TVC, further bringing to life the journey from ingredients to final product in restaurant.

AKQA: Activision 'Destiny: The Legend of You'

Brand: Activision

Title(s): Destiny: The Legend of You

Agency: AKQA

Agency website: http://akqa.com

Additional Credits: Video Game Developer: Bungie

Published: September 2015

Short Rationale: Activision and Bungie collaborated with digital agency AKQA to create ‘Destiny: The Legend of You’ – a tailored, 60-second trailer experience that highlights players’ own individual in-game achievements.

Destiny players who reached level 20 or above can create their unique trailer by visiting the Destiny website and inputting their PlayStation Network ID or Xbox Live Gamertag. Videos are tailored for sharing on social networks.

Destiny’s 2014 release was celebrated as one of the largest new game franchise launches in history. The game challenges players to ‘Become Legend’ as they venture out into the solar system to battle The Darkness and make a name for themselves.

Saatchi & Saatchi Thailand: GrabTaxi 'Super Easy Life'

Brand: GrabTaxi

Title(s): Super Easy Life

Agency: Saatchi & Saatchi Thailand

Agency website: http://www.saatchiasiapacific.com/category/thailand/

Executive Creative Director: Golf Nuntawat Chaipornkaew

Creative Group Head: Krissada Jun-On

Art Director: Weerayutt Angkharach,Shayne Chomchinda, Kajohnchai Rodklongtan, Chotika Parinnayok, Kornwara Chamnarn

Copywriter: Tanongsak Tannoprat, Chavanon Tantisiriseranee

Additional Credits: General Manager: Kannikar Kamolkasemsilp

Agency Producer: Sasamon Kamnungnate

Strategic Planner: Orathai Maneechot

Account Director: Bongkoch Khunvithaya

Account Executive: Pamela Mulhern

Production house: Vanilla films

Director: Apiruk Pangseepirom

Assistant Director: Panicha Pannasirichard

DoP: Akkarapong Kusakul

Producer: Surayut Sritrakul, Pavaranan Kanpairoh

Editor: Tanabat Boonyasena

Sound Studio: mixi Sound studio

Sound Engineer: Somnuk Loisawai

Music: Ten To Twelve (whattheduck record)

Published: September 2015

Short Rationale: Saatchi & Saatchi Thailand have launched their first campaign for Grabtaxi with an online film titled ‘Super Easy Life’: an idea that aims to glorify effortless living with Grabtaxi’s mobile application that enables you to book your rides anytime, anywhere.

The campaign kicked off with an online film and will be rolling out further into a full IMC campaign featuring OOH across Bangkok.

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