This ad has something of a romcom feel about it. If it had been made for any other retailer then maybe it would be more questionable, but taking into consideration that Asda’s main demographic are families, and more particularly mums, this ad actually feels like the right fit. It simply portrays the reality of Christmas for its target audience. The tongue-in-cheek tone of the ad is actually really quite refreshing and is a far cry from past Asda ads of hands-on-back-pockets. The retailer has tried to create something different, something honest. Don’t get me wrong, it’s not going to win any awards, but at least it’s true to people’s lives.
Catherine Shuttleworth, CEO & founder of Savvy Marketing
Retailer Christmas TV ads should be about the romance and the magic of the season, and the fantastic products you can buy that will make your friends and family happy. With that in mind, you have to question whether the Asda ad will make depressing viewing for many– is that all mums have to look forward to? Where is the happy ending? It strikes me as a great example of “insight” perhaps being used too literally, and applied in an inappropriate way to a brand.Life is tough right now for lots of families in the UK, which means many families are sharing more of the domestic chores and not just at Christmas. After all aren't we all in this together? For a brand like ASDA, who have always prided themselves on really knowing their shoppers, it seems that on this occasion they have missed the mark.
Jason Andrews, executive creative director of RAPP
Christmas has always been sexist. That bloke with the big white beard and red suit always gets all the credit. Asda have clearly decided to redress the balance. Dad's role is now equivalent to that played by a mushy brussels sprout. Whilst mum gets to dazzle like a honey-glazed ham. Turkey anyone?
Matt Pye, managing director of Cheil UK
Bravo Asda. Housewives of Britain will rejoice in your celebration of the human truth that behind every great Christmas is a great Mum. Us blokes can delude ourselves that we contribute by writing a few Christmas cards, hanging a few glitter balls on a tree, (badly) wrapping a few presents bought hastily 2 days prior to the big day, and trying to stay sober-ish til the Queens speech at least. But let’s be honest this Asda spot is the reality. Well it is for me… and pretty much every bloke I know (apart from a couple of London based blokes who like to cook and enjoy shopping at Westfield on a Saturday verses an afternoon of footy). God bless my wife.
Gail Parminter, creative director, Madwomen
The Asda ad is astonishingly brazen in its bolstering of gender stereotypes. It idealises 'mum' as having to do it all yet loving every sad minute of it.It's unimaginative. They've taken an insight, that women have to do it all at Christmas, but all they've done is literally show a woman 'doing it all'. That's not a creative idea. Imagine if we did that for beer ads: Insight: Men drink beer in pubs and talk about football, Idea: show men sitting in a pub talking about football. Why, when it comes to advertising to women do creatives stop being creative?It patronizes women, demeans men and subordinates the magic of Christmas to the shopping slog that goes behind it."Xmas doesn't happen by magic" - true but it de-mystfies the experience, reminding us all of what a slog it all is, in its bid to make mum hero, with Asda as mum/santas little helper. But at Christmas we want to revel in the magic , not be reminded of the dull reality behind it. Thanks Asda! Whilst the ad praises mum, Asda is clearly quite happy to rely on and reinforce the traditional stereotypes of woman's role in life - presented here as being the sole one in charge and doing all the work at Christmas. There is of course truth in this. After all where would Asda be without not simply the women who shop there but more especially the ones who happily serve on their checkouts, no doubt wearing reindeer headbands...again. You might expect Madwomen to react to the stereotyping of women as homemakers but in fact although it is partronizing towards women, it is even more demeaning towards men, suggesting that they have no role in the process.Not bad but boring compared to seasonal ads of Christmas Past that were often more entertaining than the programmes / repeats they interrupted on the TV.Asda say the insight researched well - but it would have done - mums would recognise the situation. but that doesn't mean they actually want to see that exact thing reflected back to them in the ad. It's an exaggeration that's showing a huge negative - and it is just as negative for dads - as if they have no interest in Christmas and are lazy.Also, having a female CD (Kate Stanners) doesn't mean anything - it's not about the sex of the creative, it's about the lens they use when creating and approving ads. And in ad agencies, that lens is male.
Jeremy Garner, executive creative director for Weapon7
Is the ASDA Christmas ad sexist? Well, I think it's important to firstly think about its context. The campaign is in-line with ASDA’s ongoing ‘ASDA Mums’ positioning and reflects the brand’s core target audience - Mums. ASDA is simply being honest about who they are trying to target, and while the father figure is cast in a supporting role he is not patronised - such as by showing him not helping at all. The ad is very self-selective and quite polarising, and that isn't a bad thing."
Darren Navier, creative director of Bloom
The simple truth is that this creative points squarely at Asda’s core heartland of working class families that really do still have a matriarchal figurehead keeping things going (and more than this - actually gets satisfaction from this role) and never more so than during Christmas. Calling this ad sexist is nothing so much as an act of misplaced inverse snobbery wrapped up in some sort of socially aware outburst.
Emma Marsland, managing partner, WCRS
I think the Asda Christmas ad is realistic rather than sexist. That's EXACTLY what most women/mums will be doing at Christmas, half enjoying it, half resenting that they seem to be the only ones doing anything. I applaud the fact they didn't generalise and ham up the father figure. Nicely done Asda, all the outraged twitterers should just get on with planning their perfect PC Christmas.
Jules Ridely, new business director, Cheil UK
The Asda Christmas ad insults everyone who isn’t a stereotypical family. Once again it presents the classic 1950’s view of the nurturing stay at home mum as being the model mum – but what about us working mums? And is it really acceptable to suggest that men are so useless they can’t do anything domestic related? It’s bad enough that she’s hovering with the baby, and wrapping the presents in rubbish paper, but then the pathetic excuse for a husband asks ‘what’s for tea love’. This ad should end with a marriage guidance counsellor simply stating ‘leave him’.
Kate Frearson, Madomen Planning Director
Whilst the ad praises mum, Asda is clearly quite happy to rely on and reinforce the traditional stereotypes of woman's role in life - presented here as being the sole one in charge and doing all the work at Christmas. There is of course truth in this. After all where would Asda be without not simply the women who shop there but more especially the ones who happily serve on their checkouts, no doubt wearing reindeer headbands...again.Not bad but boring compared to seasonal ads of Christmas Past that were often more entertaining than the programmes / repeats they interrupted on the TV.
Jamie Matthews, CEO, INITIALS Marketing
With the exception of the last scene and line, our view is that it’s pretty spot on. The majority of Asda's shopper base is mums, so the ad does a pretty good job of hero-ing mum in a set of scenes that are both realistic and to which most families can relate to. We expected the ad to end on a scene with the family doing something for mum to thank her…but no…they're all sat in front of the telly, and dad pipes up with 'what's for tea love'! So this is perhaps where it gets into warm water slightly on the sexism front. But hey, it's Christmas and no doubt dad would have got a good slap if they had filmed the next scene…Move on!
Stephen Lepitak is editor of The Drum, with responsibility for overseeing the day-to-day running of the content produced for the various platforms run by the publication. Over the years he has interviewed agency network bosses such as Sir Martin Sorrell, Maurice Lévy and Arthur Sadoun, as well as Cindy Gallop, Kim Kardashian, film directors James Cameron, Spike Jonze and producers Harvey Weinstein and Lord David Puttnam. With a keen interest in media and breaking news, Lepitak has been with The Drum since 2005 and is based across its UK, US and Asia operations.